Chandler Agonistes

“Officer Jake Stirling parked his patrol car near the sharp curve on Camino de la Costa, glanced at the house across the street and wondered if the man inside had killed himself yet.”

The Esmeralda Goodbye

So goes the sentence that kicks off my next novel, The Esmeralda Goodbye. It’s a historical mystery set in La Jolla, CA, in the 1950s. As the reader, and Officer Jake, will soon learn the man inside the house is none other than the celebrated crime fiction author Raymond Chandler. The chapter is based on a very real suicide attempt Chandler made in February 1955.

Article from the Daily Independent Journal February 24, 1955

Raymond Chandler and his wife Cissy moved from Los Angeles to La Jolla, CA in 1946. They purchased a house Chandler described as “beside the sounding sea” and “A far better home than any out-of-work pulp writer has any right to expect.”

Raymond and Cissy Chandler’s house in La Jolla
View across the street ‘beside the sounding sea”

One of the chief reasons for the Chandlers’ move from Los Angeles was Cissy’s declining health. Eight years after the move she succumbed to fibrosis. Chandler was deeply affected by her death and began drinking more heavily. Three months after her death he sat in his tub with a pistol and called the police. By the time officers arrived Chandler had fired two bullets into the ceiling. He was detained and then committed to the psychopathic ward of Scripps Memorial Hospital for several weeks.

I’d been toying with the idea of writing a historical novel using Chandler as a character. Reading about this incident gave me the idea for where to start my book. In his biography of Chandler, Frank McShane wrote, “A very tender rookie cop entered the house and with considerable trepidation opened the bathroom door.1

And so fictional police Officer Jake Stirling was born. I took a few artistic liberties with the chapter but it’s basically a true story.

Chandler fans and readers will recognize my title, The Esmeralda Goodbye, as an homage to Chandler’s last two novels, both of which were written in La Jolla. The Long Goodbye was published in 1953. Playback was published in 1958, shortly before Chandler’s death. Playback is set in the town of Esmeralda, Chandler’s fictional stand-in for La Jolla.

“In Esmeralda what was old was also clean and sometimes quaint. In other small towns what is old is just shabby.”

Playback by Raymond Chandler

“Esmeralda had one Main Street…but unlike most California towns it had no false fronts or cheesy billboards, no drive-in hamburger joints.”

Playback by Raymond Chandler

The title for The Esmeralda Goodbye came to me rather late in the process, but when it arrived, I knew it was perfect. In the next few months, I’ll be posting further information about the history, people and places that inspired the book (publication date March 1, 2024).

  1. Frank McShane. The Life of Raymond Chandler. 1976. Page 128 ↩︎

Awards for Gillespie Field Groove

It’s always nice to win an award. Gillespie Field Groove has recently picked up a few.

Finalist in the Thriller: Crime category at the American Fiction Awards.

Silver Medal in the Mystery – Detective category from the Global Book Awards

Maincrest Media Award Winner in Mystery/Suspense

“With both creativity and flair, Fayman weaves a tale that is both thrilling and unexpected.”

Shakespeare is my co-writer

Many years ago, I worked as a sound designer and sometime composer for professional theatres in San Diego, chiefly the Old Globe Theatre and the San Diego Repertory Theatre (and a couple of smaller ones I don’t remember). I also owned a very small recording studio in a warehouse I shared with several painters and visual artists (mine was third from the front door, hence the name below).

Inspired by Bob James compositional work on a recent production of The Tempest at The Globe, as well as my new Ensoniq Mirage Sampler, I decided I’d try putting my own stamp on one of the songs from the play. You can hear the results below.

Sometimes referred to as Ariel’s Song, it’s an incantation sung (invisibly) to the shipwrecked prince Ferdinand as he searches the island for his father, the king, and any fellow survivors. I’ve rarely, if ever, written a song where I didn’t also write the lyrics. I guess if you’re going to do it, you might as well start at the top.

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong, bell.

New Music – Soul of a New Machine

Virtual Reality, Social Media, Cryptocurrency, Bitcoin Mining, Artificial Intelligence, Sex Robots. I can’t keep up anymore. Here’s a bit of my personal paranoia in musical (and video) form. Available for streaming on Apple Music and Spotify, as well as other streaming platforms.


Give us a song, we’ll digitize it
Measure its soul in megabytes
Deconstruction is what’s hip
Robert Johnson on microchip
This is the soul of a new machine
This is the soul of a new machine

Surface tension says it best
The mechanism never rests
It sound so smooth without the hiss
You won’t remember what you don’t miss
This is the soul of a new machine
This is the soul of a new machine

The algorithms get intense
As angry robots climb the fence
In virtual reality
They’re coming soon for you and me
This is the soul of a new machine
This is the soul of a new machine

Listen Up – July 2023

Records I’ve listened to to more than once this month. That’s saying something.

Ian Hunter’s always been one of my favorite rock’n’roll singer/songwriters, both with Mott the Hoople, and on his solo records. Can he still rock at 83? You bet he can, with a little help from his friends, including Ringo, Billy Gibbons, Jeff Beck, Mike Campbell, Taylor Hawkins and a whole host of others. Defiance indeed.

Available on Apple Music, Spotify and on CD/Vinyl.

Staying buoyant above a sea of troubles, this folk-country-pop record highlights Jenny Lewis’ supple voice and bright instrumental arrangements with songs that float along like gin and lemonade on a summer evening. And just try to resist the charm of putting your troubles in proper perspective with “Puppy and a Truck.”

Available on Apple Music, Spotify and on CD/Vinyl.

This one’s a bit different. Recorded at The Tank Center for Sonic Arts in Rangely, CO, this recording takes full advantage of The Tank’s remarkable reverberation effects. It is exactly what it says it is—Beethoven’s String Quartet Number 14 in C-sharp minor, Opus 131 played slowly (a 7 minute piece stretched to 45 minutes) by a virtuoso quartet led by Jeffrey Zeigler. The effect is a remarkably rich, contemplative and meditative piece. Available on Apple Music, Spotify, and BandCamp.